At a glanceFilm, panel, and façade-scale systems · Transparency and brightness vary by model
A car moves across the showroom window. The actual car is still visible behind it. Transparent LED puts video on the glass while keeping the view in play. There’s a perfectly good explanation for what you just saw.
The useful kind of double take
Show a new model across dealership glass. Put a collection in motion across a boutique frontage. Add imagery to an exhibit while keeping the object behind it visible. We've given the window a few additional responsibilities.
The effect combines the light from the display with the scene behind it. Your system, content, lighting, and viewing distance are planned together. Both pictures need to get along.
Three ways to do it
| System | What it is | Transparency | Best suited to |
|---|---|---|---|
| iMagiGlass | LED film applied to existing glass | Up to 90% transparency | For projects needing a thin display layer with minimal visible bulk |
| Symmy | Framed transparent LED panels | 40–50% transparency, depending on pitch | For modular window and architectural installations |
| StarDust | Larger-scale transparent LED system | Configuration specified per project | For façades viewed from farther away |
Are your people right up against the glass or across a plaza? How bright is the scene behind it? What are you showing them? Those answers point to the pitch, the system, and the structure. Your content is your own. Your double take gets planned in some detail.
iMagiGlass
iMagiGlass applies a thin LED film to suitable existing glass, with transparency up to 90%. Much of the view and daylight stays in the design. The familiar glass acquires a rather unexpected new use.
Consider it for storefronts, interior partitions, and compatible curved glazing where visible bulk matters. Your glass, your conditions, and your viewing distance decide the film.
Symmy
Symmy places its LEDs on an evenly spaced grid, with matching horizontal and vertical pitch. Framed, modular panels let us build the display across windows and architectural openings. There is a rather orderly arrangement behind the unexpected picture.
Four pitches from 2.6 to 3.9mm offer 40–50% transparency, depending on the model, with brightness above 5,000 nits. Your picture and your view through it are balanced for your location.
StarDust
StarDust takes the idea across a façade. A coarser pitch suits viewers across a street or plaza, with the layout designed for a larger area of glazing. At this point, your building is fairly involved.
Separate windows become parts of one visual composition. Dimensions, pitch, brightness, structure, and where the public will be are worked out with you, so your idea reads at the scale of your building.
After the showroom closes
A dealership after dark. Imagery moving across the windows. The real cars still visible inside. Someone who was simply passing has something unexpected to look at—and a reason to remember where they saw it. A well-placed car, a simple message, and enough space to see through the image can do a great deal. Your display is planned around your content and the effect you're after. The glass is already doing something unusual; the message can afford to be straightforward.
Beyond the showroom
| Specification | 2.6mm | 3.0mm | 3.5mm | 3.9mm |
|---|---|---|---|---|
| Encapsulation Brand | NationStar | NationStar | NationStar | NationStar |
| LED Lamp Bead Model | SMD1415 | SMD1415 | SMD1415 | SMD1415 |
| Pixel Composition | 1R1G1B | 1R1G1B | 1R1G1B | 1R1G1B |
| Module Resolution (W×H) | 192×24 | 168×21 | 144×24 | 128×16 |
| Module Size (W×H) | 500×62.5mm | 500×62.5mm | 500×83.28mm | 500×62.5mm |
| Module Fixed Way | Front Access | Front Access | Front Access | Front Access |
| Panel Size (W×H×D) | 500×500mm | 1000×500mm | 1000×750mm | 1000×500mm |
| Pixel Density (dots/m²) | 147,456 | 112,896 | 82,944 | 65,536 |
| Transparency Rate | 40% | 42% | 45% | 50% |
| Panel Weight | 12.5kg/m² | 12kg/m² | 11kg/m² | 10kg/m² |
| Refresh Rate | 3840Hz | 3840Hz | 2800Hz | 3840Hz |
| Scan Method | 24 Scan | 21 Scan | 16 Scan | 16 Scan |
| Panel Material | Aluminum | Aluminum | Aluminum | Aluminum |
| Viewing Angle | 140°/140° | 140°/140° | 140°/140° | 140°/140° |
| Brightness | >5000 cd/m² | >5000 cd/m² | >5000 cd/m² | >5000 cd/m² |
| Gray Scale | 14–16 bit | 14–16 bit | 14–16 bit | 14–16 bit |
| Signal Input | Universal | Universal | Universal | Universal |
| Operating Voltage | AC 110–240V, 50–60Hz | AC 110–240V, 50–60Hz | AC 110–240V, 50–60Hz | AC 110–240V, 50–60Hz |
| Maximum Power | 800 W/m² | 800 W/m² | 800 W/m² | 800 W/m² |
| Average Power | 240 W/m² | 240 W/m² | 240 W/m² | 240 W/m² |
iMagiGlass and StarDust specifications are sized per project — send us your glass dimensions and viewing distance and we'll help you spec it.
Transparency figures in this table apply to Symmy. The up-to-90% figure applies to iMagiGlass. Content visibility and the view through the display depend on the selected system, lighting, and viewing conditions.
Send a photo, your glass dimensions, and where your people will be. Daylight, after dark, or both? We'll help you choose the system, layout, and the right kind of “wait a minute.”
info@coolponytech.com · Dallas, Texas